By Purva Grover
He’s not your conventional fashion designer. Don’t let his hair tied in a short pigtail let you believe otherwise. To begin with, he feels the word design is the most abused word in the world of fashion. Add to that, he no longer takes part in fashion weeks. And yes, his garments require no stitching or cutting. Also, his works are not up for sale for anyone who has the money to make a purchase, but only for those, who can one, assure him that they’ll respect the fabric it is crafted out of, and two, play with the fabric to create more outfits of their own. Continue reading Would you wear these quirky, seamless clothes he designs?
By Sushmita Bose
I watched The Graduate when I wasn’t a graduate; I was in middle school, had been initiated into Simon & Garfunkel by my globe-trotting uncle, and I’d managed to sneak in a watch – the VHS was lying around the centre-table, begging to be popped into the VCR player – when the parents were not at home. Continue reading ‘The Graduate’: Why this stellar, coming of age film is relevant even today
By Sujata Assomull
We’ve all heard tales of Indian Maharajahs’ love for jewellery. And members of Indian royal families, especially those partial to precious stones, had a soft spot for Cartier. It was their first choice. The necklace that the French Maison created for the Maharajah of Patiala, Bhupinder Singh in 1928 with its 234.6 carat diamond centrepiece, is still considered to be one of the most spectacular any jeweller has created. Continue reading What Jacques Cartier has to do with pearls in the Middle East